McGill University |
McGill University |
McGill University |
Princeton University |
To appear at Graphics Interface 2005.
Abstract
The physiology of human visual perception helps explain different uses for color and luminance in visual arts. When visual fields are isoluminant, they look the same to our luminance processing pathway, while potentially looking quite different to the color processing path. This creates a perceptual tension exploited by skilled artists. In this paper, we show how reproducing a target color using a set of isoluminant yet distinct colors can both improve existing NPR image filters and help create new ones. A straight-forward, geometric technique for isoluminant color picking is presented, and then applied in an improved pointillist filter, a new Chuck Close inspired filter, and a novel type of image mosaic filter.
Source Image | Pointillist Filter Consistent Starting Point for Color Picking | Pointillist Filter Random Starting Point for Color Picking |
Source Image | Pointillist Filter Consistent Starting Point for Color Picking | Pointillist Filter Random Starting Point for Color Picking |
Source Image | Chuck Close Style Filter | Bug-themed Image Mosaic | Flower-themed Image Mosaic | Sea-themed Image Mosaic | Warhol-themed Image Mosaic |
Source Image | Chuck Close Style Filter | Bug-themed Image Mosaic | Flower-themed Image Mosaic | Sea-themed Image Mosaic | Warhol-themed Image Mosaic |